NASA - Project Valkyrie
Project Valkyrie documented the research surrounding NASA’s Valkyrie humanoid robot, developed by NASA‑JSC and delivered to the University of Edinburgh for ongoing work at the Edinburgh Centre for Robotics. The project involved filming in highly technical environments, where safety, accuracy and clear communication were essential.
I joined the project to support video editing and develop motion graphics, but my role also extended to assisting the filmmaker during on‑location shoots. This included helping to set up shots, preparing interview spaces, managing equipment and supporting camera operation when required. Working in robotics labs meant adhering to strict safety protocols, coordinating with researchers and ensuring that filming activity did not interfere with ongoing technical work.
Alongside the production support, I shaped the visual narrative in the edit, creating motion graphics and animation that clarified complex robotics concepts for non‑technical audiences. I worked closely with the creative director, filmmaker and academic teams to ensure the films were both accurate and engaging, balancing scientific detail with accessible storytelling.
Several episodes from the series were screened at the Edinburgh Science Festival, where they were very well received. The project remains a strong example of my ability to combine editing, motion design and practical on‑location production support to communicate advanced research in a clear and compelling way.
Girls in Tech
Project Valkyrie documented the research surrounding NASA’s Valkyrie humanoid robot, developed by NASA‑JSC and delivered to the University of Edinburgh for ongoing work at the Edinburgh Centre for Robotics. The project involved filming in highly technical environments, where safety, accuracy and clear communication were essential.
I joined the project to support video editing and develop motion graphics, but my role also extended to assisting the filmmaker during on‑location shoots. This included helping to set up shots, preparing interview spaces, managing equipment and supporting camera operation when required. Working in robotics labs meant adhering to strict safety protocols, coordinating with researchers and ensuring that filming activity did not interfere with ongoing technical work.
Alongside the production support, I shaped the visual narrative in the edit, creating motion graphics and animation that clarified complex robotics concepts for non‑technical audiences. I worked closely with the creative director, filmmaker and academic teams to ensure the films were both accurate and engaging, balancing scientific detail with accessible storytelling.
Several episodes from the series were screened at the Edinburgh Science Festival, where they were very well received. The project remains a strong example of my ability to combine editing, motion design and practical on‑location production support to communicate advanced research in a clear and compelling way.
AMS
AMS Partnership pitch to ROCH
AMS Partnership pitch to Rolls Royce
AMS Partnership Pitch Tto Marriott
Motability Operations
Motability Operations - Recruitment video
HALSPAN
Halspan, a leading fire door expert set the brief to provide a corporate video with accompanying titles to represent the vision for the company's ambitions. I worked on the story board, selected appropriate stock video and audio and produced animated titles and edited the film.
Below is a video produced for Halspan showcasing Halspan Verified. A first in the industry, The Halspan Verified quality assurance scheme covers the entire supply chain - from production, testing and supply to the fabrication, installation and maintenance of both standard and custom fire doors (FD) and non-fire rated (NFR) doors. I was subcontracted to Keeble Creative agency as the video editor and motion designer for this project and more.
MA Motion graphics - advertising module: D&AD submissions
